Over on the Guardian’s Tech Weekly podcast was a germane discussion of the future of music technology. It also covered some of the historic ways in which music tech has changed our relationship to the media we consume. Check out the show notes:
How can we make sure artists get a fair deal in the age of streaming? Can electronic music ever be truly live? Tech Weekly goes under the bonnet of the latest tech developments in music with Imogen Heap and Tim Exile
From the gramophone to the iPhone, music has always had a symbiotic relationship with technology. But with the proliferation of streaming services and the collapse of sales, the digital era has increasingly disenfranchised those making the music itself. Now with the rise of musician-developed apps and software, artists can take back the reins creatively but what about economically?
We talk to musician Imogen Heap about her visions for “fair-trade music” enabled via blockchain technology; electronic artist Tim Exile talks us through his latest software, Flesh, which injects an element of chance into electronic music performance, and Peter Doggett give us a whistlestop tour of some of the biggest tech innovations that transformed music over the last 100 years.
You can find an link to an mp3 file of the show here
Apple’s recent foray into digital music streaming points to dramatic shifts in the digital music landscape. This time last year iTunes saw a 13-14% decline in sales revenue while service like Spotify were pushing for growth (even if they aren’t yet making a profit or paying all artists exactly what they think they deserve). Indeed, many commentators are proclaiming music sales to be dead as we shift towards a perpetual access model over ownership.
The current state we find ourselves in was predicted 40 years ago and the BBC have a podcast addressing this topic that you may like to stream (naturally).
Check out the show’s description:
Nearly forty years ago, French polymath Jacques Attali wrote a book called “Noise” which predicted a “crisis of proliferation” for recorded music – in which its value would plummet. As music sales went into freefall at the turn of the century, his prediction seemed eerily resonant to up-and-coming singer/songwriter Sam York. Now struggling to earn a living as a musician, York visits Attali to help get an insight into his own future, learning that music itself may hold clues to what is about to happen in the wider world.
Along the way, York meets Al Doyle from Hot Chip and folk singer Frank Turner, who reveal that – despite being relatively well known – they still find it difficult to earn a living from their “stardom”. Doyle says he struggled to afford a one-bedroom flat in London. It’s a world away from the rock-and-roll lifestyle we might think successful musicians enjoy.
You can find a related BBC magazine article on this topic here