Over on the Guardian’s Tech Weekly podcast was a germane discussion of the future of music technology. It also covered some of the historic ways in which music tech has changed our relationship to the media we consume. Check out the show notes:
How can we make sure artists get a fair deal in the age of streaming? Can electronic music ever be truly live? Tech Weekly goes under the bonnet of the latest tech developments in music with Imogen Heap and Tim Exile
From the gramophone to the iPhone, music has always had a symbiotic relationship with technology. But with the proliferation of streaming services and the collapse of sales, the digital era has increasingly disenfranchised those making the music itself. Now with the rise of musician-developed apps and software, artists can take back the reins creatively but what about economically?
We talk to musician Imogen Heap about her visions for “fair-trade music” enabled via blockchain technology; electronic artist Tim Exile talks us through his latest software, Flesh, which injects an element of chance into electronic music performance, and Peter Doggett give us a whistlestop tour of some of the biggest tech innovations that transformed music over the last 100 years.
You can find an link to an mp3 file of the show here