Week 9: Electronic music production

Shiga, John (2007) ‘Copy-and-Persist: The Logic of Mash-Up Culture’, Critical Studies in Media Communication, Vol. 24, Iss 2, pp.93-114
– http://dx.doi.org/10.1080/07393180701262685

Lawrence, Tim (2008) ‘Disco madness: Walter Gibbons and the legacy of turntablism and remixology’, Journal of Popular Music Studies, Vol. 20: 276–329
– http://dx.doi.org/10.1111/j.1533-1598.2008.00162.x
— also available here: http://timlawrence.info/wp-content/uploads/2012/09/Walter-Gibbons-JPMS.pdf

Borschke, Margie (2010) ‘Disco edits and their discontents: The persistence of the analog in a digital era’, New Media & Society, Vol 13, No 6, pp.924-944
– http://dx.doi.org/10.1177/1461444810386693
— also available here: https://www.academia.edu/334800/Disco_Edits_and_their_discontents_the_persistence_of_the_analog_in_a_digital_era

Fink, Robert (2005). ‘The story of ORCH5, or, the classical ghost in the hip-hop machine.’ Popular Music, Vol 24, No 3, pp 339-356
– http://dx.doi.org/10.1017/S0261143005000553

M/C Journal – (2011) special issue: ‘remix’ http://journal.media-culture.org.au/index.php/mcjournal/issue/view/remix

DanceCult (2014) special issue: Production Technologies and Studio Practice in Electronic Dance Music Culture https://dj.dancecult.net/index.php/dancecult/issue/view/60

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